This typically results in a more contrasty image with more, and sometimes some funky, oversaturating of colors among other things. Push processing film is the practice of "overdeveloping" less sensitive film to increase the exposure. These presets emulate Portra that has been pushed incredibly well.Check it out my review of the pack after the jump. Slight adjustments to exposure, but nothing out of the ordinary. Warming up the images, typically into the range, and adjusting tint. The presets performed well on the Canon, Nikon, and Fuji files that were used in the test. The grain settings also feel like they are on the light end of the spectrum, both in comparison to film and personal preference for making digital images look less digital. These presets are based on the idea of absolute accuracy when matching digital to film, it would be nice to see them build custom camera profiles in the future to cut down on color differences between models. Most of the toning is in the basic panel, RGB curve, slight use of individual color curves for shadow toning, HSL, and camera calibration panel. If your brand is not supported, they recommend using the Canon presets. These presets are based on Adobe standard. Once you have a feeling for which preset will work best on a certain image, the only real tweaks are exposure, white balance, and tint. These presets are advertised as a click process, which was found to be the case.
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The exact skin tones, contrast, and shadow color shift red! You get the contrast and deep shadow look, but with skin tones that maintain a natural tone, instead of looking like underexposed film. You can finally add grain that resembles 35mm or medium format film.
These presets offer a simple process: decide on film stock, with either 1 or 2 stop push. It allows hybrid photographers the ability to easily match their digital files to their film scans, or for digital shooters to get the film look they want. These presets are created to specifically emulate Kodak Portra film, when pushed in development, and scanned on the Fuji Frontier scanner. A long time film shooter, he longed to create digital presets that would match the tones from his Frontier scanner. Mastin Labs was created by Seattle photographer Kirk Mastin.
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